Red bull illume photo contest

Submitted photos for my first photo contest, probably the best photo contest on the planet.
Red Bull Illume is the world’s premier action and adventure sports photography competition.
The winner will receive a Leica S2 camera and equipment to the value of $40,000. Every photographer with a photo in the final 50 images of the competition will receive one SanDisk Extreme Pro 64GB Flash Memory card, while category winners receive 10 each. The overall winner will receive 20 – a year’s supply.

Just days until the Dublin Unveiling!

Written on Monday 23.08.2010 16:00 PM By: Red Bull Illume

There’s just over one week to go until the Red Bull Illume Unveiling. After months of anticipation, the best 50 photos and the identities of the photographers will be unveiled for the first time on Tuesday August 31st at 7.30pm (GMT) in Trinity College Dublin.

On the night, category winners and finalists from each of the ten categories will be celebrated at the spectacular ceremony and for those who can’t make it in person, showcased on www.redbullillume.com – it’s going to be big!

The overall winner will receive a Leica S2 camera and equipment to the value of €30,000. Each photographer with a photo in the final 50 images will receive one SanDisk Extreme Pro 64GB card, while category winners will receive ten each. The overall winner will receive twenty cards – a year’s supply.

The exhibition will run between August 31 and September 11, 2010. The photos will illuminate the Front Square of Trinity College Dublin every night between 8pm and 10pm and entry is free to the public.

Want to hazard a guess at who wins? Post your thoughts on our Facebook page or on Twitter with the #redbullillume tag.

Canon TC 1.4 III

London, 26th August 2010 – Canon today unveils two lens extenders designed for its L-series range of new super-telephoto lenses. Designed for photojournalists, nature and sports photographers who need to get close to distant and challenging subjects, the Extender EF 1.4x III and Extender EF 2x III increase the focal length of a lens by a factor of 1.4x and 2x respectively while still delivering superb image quality. To ensure the best possible image quality in all shooting conditions, they also combine enhanced environmental protection, redesigned optics and improved data communication between lens and camera.

Canon professional image quality

Allowing professional photographers to shoot distant subjects without having to carry a number of heavy lenses with them, these new extenders ensure there is no compromise on image quality. The Extender EF 1.4x III features three lens groups of seven elements, and the Extender EF 2x III features three groups of nine elements, ensuring improved optical performance. All optical elements use Canon’s Super Spectra coating, reducing ghosting and flare to minimise post-processing requirements. A new Fluorine Coating on the front and rear elements makes marks, such as spots left by water or fingerprints, much easier to clean than standard coatings.

To facilitate the accurate transfer of imaging data between the lens and camera body, both models feature an integrated processor which ensures all focusing, metering and ID information is available – allowing the photographer to capture crisp, well-exposed images. When combined with the latest range of premium Canon L-series lenses, these extenders enable higher AF accuracy compared to previous generations, ensuring professionals achieve perfectly sharp shots, even when capturing moving subjects.

Canon TC 2.0 III

Redesigned for high performance

The Extender EF 1.4x III and Extender EF 2x III have been designed to complement the latest range of L-series lenses, matching their appearance and offering a visible differentiation from previous models. A carefully positioned lens release mechanism also makes it easy to mount the extenders quickly, reducing the time that the camera and lens are exposed to the environment. The extenders offer the exceptional build-quality expected from Canon’s professional products, and are resistant to both dust and water, allowing photographers to use them in extreme shooting conditions.

Canon EOS 60D

London, UK, 26th August 2010 – Canon today announces the latest addition to its world-famous EOS series of Digital SLR (DSLR) cameras – the new EOS 60D. Replacing the EOS 50D, the EOS 60D is designed for photographers who want to take their skills to the next level, offering high performance, a series of creative features, a Vari-angle LCD screen and enhanced ergonomics – empowering photography enthusiasts to capture outstanding stills and Full High Definition (HD) video for unique, creative results.

High speed, high resolution

With an 18 Megapixel APS-C sensor, the EOS 60D offers high levels of detail and a magnification of 1.6x the focal length of the lens to capture poster-size images in a variety of aspect ratios*1. Canon’s powerful DIGIC 4 technology rapidly processes image information captured from the CMOS sensor’s four-channel output, providing outstanding colour reproduction, as well as high-speed shooting at 5.3fps in bursts of 58 full-resolution JPEGs.

A standard ISO range of 100-6400 is extendable to 12800, providing smooth images with minimal noise in low light conditions. A 9-point, all cross-type autofocus (AF) system also provides swift and accurate focusing, with an extra-sensitive centre point for lenses faster than f/2.8, allowing photographers to artistically employ a shallow depth of field during portraiture or for more atmospheric shooting.

The EOS 60D features Canon’s iFCL metering system, first introduced with the acclaimed EOS 7D, with a 63-zone Dual-Layer sensor. Information on subject location is gathered from the Auto Focus system, and is combined with colour and luminance readings for consistent accurate exposures whatever the situation. The Integrated Speedlite transmitter also provides in-camera control of multiple EX flash units for more creative lighting.

Shoot from all angles

A new 7.7cm (3.0”) Vari-angle wide LCD monitor features a 3:2 aspect ratio and a 1,040k dot resolution, providing added flexibility and allowing photographers to view their images in incredible detail. The Vari-angle wide LCD helps frame shots from difficult angles, and can be positioned with Live View enabled to achieve the desired composition if shooting isn’t possible using the viewfinder. The ability to capture wildlife portraits, overhead shots or ground-level photography is instantly enhanced, and the surface of the screen features an anti-reflective, water-repellent coating to protect the screen allows easy viewing in bright light and from a variety of angles.

Empowering creativity

A new Basic + function makes it easy for photographers to add their own creative touch to images without worrying about changing settings. Photographers can add ambiance to a scene by shooting according to lighting and scene type, with Portrait, Landscape, Close-Up, Sport, Night Snapshot or Creative AUTO modes all available. Different effects can be achieved by shooting with Basic + enhancements such as Daylight, Cloudy or Sunset or pre-set Picture Styles including Vivid, Soft, Warm or Monochrome.

Designed to provide power for those who wish to extend their creative vision, the EOS 60D features a host of new functions that help capture better images and in-camera effects to add an extra dimension. The powerful DIGIC 4 processor supports in-camera RAW image processing, allowing photographers to edit settings such as brightness, contrast, white balance or correct distortion or chromatic aberration. The edited image can then be resaved as a JPEG, ready to be printed or uploaded to a PC or the web.

For photographers who want to add post-production effects to their images without the need for expensive software, the EOS 60D also features a range of new creative filters that can be applied in-camera. Filters including Grainy B/W, Soft Focus, Toy Camera Effect and Miniature Effect provide images with a different feel, allowing photographers to create a themed collection – using Grainy B/W to give images a reportage style, for example – or easily smooth skin tone in portraits with Soft Focus.

EOS Movies: Full HD video with complete control

Offering photographers the freedom to go beyond stills, the EOS 60D captures 1920×1080p HD video with a variety of user-selectable frame rates, including 30, 25 and 24fps, as well as 720p video at 60 and 50fps. Movie Crop mode is also available, recording with the central 640×480 pixel area of the sensor to create an effective magnification of approximately seven times the focal length of the lens.

Full manual control in Movie mode allows photographers to employ their own exposure and focus settings and take advantage of the effects achieved from Canon’s wide range of EF lenses. An external stereo microphone terminal and the ability to adjust sound recording level ensures the audio track recorded matches the visual quality of the video, capturing broadcast-quality sound.

For those who want to share images with friends and family, an integrated HDMI port is compatible with Consumer Electronics Control (HDMI-CEC), allowing video and images to be viewed on any compatible HD-ready TV and controlled via the TV remote.

Designed for flexibility

The EOS 60D features a completely redesigned body, combining an ergonomically enhanced, curved shape with a new button layout to make it quick and comfortable for photographers to change settings. Frequently used camera controls are grouped together for easy access, while the Quick Control Dial, Multi-controller and SET button have all been merged into one Multi Control Dial, enabling photographers to operate menus and enter settings quickly using their thumb. The mode dial also features a lock button, preventing unintentional changes to settings mid-shoot.

A dedicated Quick Control access button allows photographers to instantly reach the most common shooting settings and playback controls. Customising the functions of a number of buttons is also possible, allowing photographers to tailor the camera to suit their individual needs. To help achieve landscapes with perfectly level horizons, a horizontal Electronic Level can be displayed in the viewfinder or in Live View to assist composition and remove any potential need for post-production correction.

The EOS 60D is one of the latest Canon models to support high-capacity SDXC memory cards, providing up to 2TB of available space, allowing photographers to keep shooting HD video and full resolution RAW and JPEG stills without changing cards. For better management of larger image libraries on the camera, EOS 60D photographers can add a rating of 1 to 5 to their favourite images, allowing them to be easily located and viewed on-screen. Once transferred from the camera to a PC, the tags can also be viewed using a number of image editing and management programs, including Canon’s DPP software.

Share the moment

For photographers who want to transfer content wirelessly, the EOS 60D includes Eye-Fi connected functions*2. The EOS 60D features a dedicated Eye-Fi section in the User Interface allowing WiFi functionality to be turned off when not required to save battery life

EOS 60D features at a glance:

• 18 MP APS-C CMOS sensor
• Advanced creative features with Basic +
• Vari-angle 7.7cm (3.0”) 3:2 ratio LCD
• Full HD movies with manual control
• DIGIC 4
• ISO 100-6400, H:12800
• 5.3fps shooting for up to 58 JPEGs
• 9-point cross type AF System
• iFCL metering with 63-zone Dual-layer Sensor
• Integrated Speedlite transmitter
• In-camera RAW processing

* August 25, 2010
* Canon Lenses
* Follow on our forum

Canon EF 8-15 f/4L Fisheye

CANON fish eye lens

London, UK, 26 August 2010 – Canon today unveils the world’s first fisheye zoom lens offering both circular and full frame images, thanks to an extreme wide-angle focal range of 8-15mm. Replacing the EF 15mm f/2.8 fisheye, the new EF 8-15mm f/4L Fisheye USM is the latest addition to Canon’s L-series range of professional lenses, providing outstanding image quality, constant aperture throughout the zoom range and a robust design for reliable shooting in challenging weather conditions.

When paired with Canon’s full-frame DSLR bodies, such as the EOS 5D Mark II or the EOS -1Ds Mark III, professional photographers can choose to capture circular or full-frame fisheye images, allowing them to view a scene in a completely new and unique way. This new level of choice provides enhanced creative flexibility when shooting scenes such as the night sky, where the full 180º horizontal and vertical fields of view (FOV) allow every detail to be captured with incredible clarity in one single image.

When used with EOS bodies featuring APS-C or APS-H sensors, the EF 8-15mm f/4L Fisheye USM produces a more traditional, full frame fisheye view. A zoom-lock mechanism on the lens body allows the range to be limited to the focal length that ensures the best possible full-frame view without unsightly vignetting around the edge. ‘C’ and ‘H’ markings can be found next to the zoom operation ring, indicating the wide-angle zoom position where vignette-free shooting is possible with either sensor, allowing photographers to achieve optimum results with any EOS body.

Advanced optics for professional imaging

The EF 8-15mm f/4L Fisheye USM showcases over 70 years of Canon’s optical engineering heritage, boasting 14 lens elements in 11 different groups, including one aspherical and one Ultra-low Dispersion (UD) element to correct chromatic aberration and produce high-quality, high-contrast shots with excellent colour reproduction.

Ghosting and flare caused by strong light sources can be a particular challenge when shooting at such a wide angle, and, in order to counteract these artefacts, all lens elements have been covered with Canon’s Super Spectra Coating. The inner surface of the front element also features Canon’s SubWavelength Structure Coating (SWC), which uses tiny cone-like structures, shorter than the wavelength of visible light on the surface of the lens element, to gradually slow light down until it is at the same speed as it travels through glass, removing the risk of flare occurring before the light reaches the sensor.

To maintain optimum image quality, the front and rear lens elements also feature a Fluorine Coating which actively repels water, dust and dirt, making it easier to clean the lens and leaving it unobstructed by particles.

Fast, accurate focusing and low light performance

The ultra-wide angle zoom of the EF 8-15mm f/4L Fisheye USM offers a fresh take on sporting action or architecture shots, while the constant f/4.0 aperture allows faster shutter speeds to be employed for natural-looking images in low light.

A ring-type ultrasonic motor (USM), provides quick and accurate focusing when shooting and enables a full-time manual focus functionality allowing photographers to adjust the focus of any shot, even when the AF system is activated, for even greater control over image capture and improved creative flexibility.

Built for professional performance

The EF 8-15mm f/4L Fisheye USM features a high-grade physical design that reflects its elite performance. High resistance to both dust and water enables it to be used in a range of challenging situations, and, when used with a professional EOS body, it allows continued shooting in the harshest weather conditions. The external design also features the new exterior texture, for a high quality look and feel indicative of all new L-series models.

High quality accessories

The EF 8-15mm f/4L Fisheye USM is supplied with a dedicated lens cap, lens pouch and a felt-lined lens hood EW-77 for use when using the zoom at the 15mm setting, preventing lens flare.

It’s been exactly 10 years since Laird Hamilton rode a wave at Teahupoo that completely changed the way the world measures big waves.
I still remember the noise of the wave breaking on the reef, It was like a Boeing 747 taking off…..I did not have my camera with me but friend Tim McKenna scored one of the most beautiful photo ….

The millennium wave by Tim McKenna.

Laird Hamilton – Millennium Wave
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60 x 80 cm 24 x 31½ Inches
Premium heavy grade 250g acid-free paper

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“The Millennium Wave”. Teahupoo 17th August 2000 at 11.25 am, big wave tow-in legend, Laird Hamilton, entered the history books by riding the heaviest wave ever surfed. He had been in Tahiti for two weeks shooting a film with Jack McCoy for his sponsor Oxbow. I was production co-ordinator while also shooting stills for advertising and editorial purposes. As the morning of the 17th unfolded the set waves just got bigger and bigger. Around high tide the sets became more consistent and Laird stepped up to the challenge. The photo was taken with a Nikon F5 camera and a 70 – 200 zoom lens shooting at 9 frames per second. This poster shot was No 38 out of a 36-exposure film! Had I used another camera the shot would simply have never existed.

LIMITED EDITION also available for 50 Euros.
Printed on Fine Art Paper 270g
Signed and numbered from 1 to 100.

Tim McKenna © 1999 – 2010 All rights reserved timmckennaphoto.com | Terms and Conditions | Power

What’s new in Photoshop CS5

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Get precise results when making complex selections, remove any image element and see the space fill in almost magically, and create stunning photo-realistic or surreal HDR images.

©Daniel Morel

It’s hard to explain a mind-blowing mess like this one, but AFP is suing a Haitian photojournalist for “antagonistic assertion of [his] rights” after it distributed his news-breaking earthquake photos all over the world without his permission.

AFP is mad because the photographer, Daniel Morel, sent cease and desist letters to numerous AFP clients, allegedly made false and defamatory statements about AFP, and made unreasonable monetary demands of AFP for infringement.

AFP is asking a federal court in Manhattan to declare that it did nothing wrong, and force Morel to pay unspecified damages for defamation.

Morel, a veteran photojournalist and former AP photographer, was in Port au Prince when the earthquake struck. He shot news images moments after the quake, and within an hour, the daughter of a friend helped him post 13 high resolution images on Twitter from a hotel that still had a working internet connection.

AFP downloaded the images and distributed them through Getty, it’s distribution partner. Morel’s iconic image of an earthquake victim (shown above) appeared on the front pages of newspapers all over the world the next day. In many cases, the images carried the credit of AFP, Getty, and a Dominican photographer who stole Morel’s images and re-tweeted them as his own. (Morel says AFP knew who the images actually belonged to, a claim AFP does not seem to be disputing).

Morel started sending the cease and desist letters to AFP and various users of Morel’s images. AFP says it immediately stopped distributing his images. But the damage was done, and Morel has been seeking an unspecified payment from AFP.

AFP finally sued, asserting that the Twitter Terms of Service are perfectly clear: Anything uploaded to Twitter is free for re-distribution. Besides, AFP says, Morel didn’t indicate that he was putting any restrictions on the use of the images that he tweeted.

Morel’s response in court papers to that he “had no prior experience with Twitter…and did not read the Terms of Service.” He also explains that he posted the images on Twitter with hopes that they “would span the globe to inform the world of the disaster, and that he would also receive compensation and credit as a professional photographer for breaking news of the earthquake before the news and wires services.”

In a perfect world, photographers could take their stories to the world without major distributors and other middlemen, and somehow get paid–even after the fact–for pictures they have posted for all the world to see.

In fact, The Wall Street Journal, the Associated Press, and others did see Morel’s tweet and offer him money to publish and distribute his images, according to papers he filed in court. Not everyone, in other words, assumed that Morel’s images were free for the taking because of Twitter’s Terms of Service.

But a perfect world it isn’t. The internet may be empowering, but this case shows how vulnerable photographers’ copyrights are–and not just to petty thieves, but to big corporations who have the money and lawyers to beat small copyright owners up in court on the grounds that some fine print makes it legal to copy and distribute their works without permission.

That, of course, raises the question: what is copyright really worth anymore if technology has turned it into something that benefits only those with the resources to enforce and defend it at every turn?

July 27, 2010

PRESS RELEASE

Apple Unveils New Mac Pro With Up to 12 Processing Cores

CUPERTINO, California—July 27, 2010—Apple today unveiled a new Mac Pro line with up to 12 processing cores and up to 50 percent greater performance than the previous generation. Featuring the latest quad-core and 6-core Intel Xeon processors, all-new ATI graphics and the option for up to four 512GB solid state drives (SSD), the new Mac Pro continues to deliver amazing performance and expandability for the most demanding consumers and professionals.

“The new Mac Pro is the most powerful and configurable Mac we’ve ever made,” said Philip Schiller, Apple’s senior vice president of Worldwide Product Marketing. “With up to 12 cores, the new Mac Pro outperforms our previous top-of-the-line system by up to 50 percent, and with over a billion possible configurations, our customers can create exactly the system they want.”

At the heart of the new Mac Pro’s performance are next generation quad-core and 6-core Intel Xeon processors running at speeds up to 3.33 GHz. These multi-core processors use a single die design so each core can share up to 12MB L3 cache to improve efficiency while increasing processing speed. These systems feature an integrated memory controller for faster memory bandwidth and reduced memory latency; Turbo Boost to dynamically boost processor speeds up to 3.6 GHz; and Hyper-Threading to create up to 24 virtual cores. The Mac Pro now comes with the ATI Radeon HD 5770 graphics processor with 1GB of memory and customers can configure-to-order the even faster ATI Radeon HD 5870 with 1GB of memory.

For the first time, Mac Pro customers have the option to order a 512GB SSD for the ultimate in reliability and lightning fast performance. With the ability to install up to four SSD drives in the system’s internal drive bays, the new Mac Pro can provide ultra high-speed disk bandwidth and random disk performance, two times faster than the average performance of a standard disk drive. Mac Pro also now features two Mini DisplayPorts and one dual-link DVI port. The additional Mini DisplayPort output allows customers to connect two LED Cinema Displays without an additional graphics card or adapter and the dual-link DVI port supports legacy DVI-based displays up to a resolution of 2560 x 1600 pixels.

Every Mac Pro comes with Apple’s innovative Magic Mouse and customers can also order Apple’s new Magic Trackpad as an option. The Magic Trackpad brings the intuitive Multi-Touch gestures of Mac notebook trackpads to the desktop. With its glass surface, the wireless Magic Trackpad allows users to scroll smoothly up and down a page with inertial scrolling, pinch to zoom in and out, rotate an image with their fingertips and swipe three fingers to flip through a collection of web pages or photos. The Magic Trackpad can be configured to support single button or two button commands and supports tap-to-click as well as a physical click. Magic Trackpad is available separately for $69.

Continuing Apple’s commitment to the environment, Apple’s desktop lineup is a leader in green design. The Mac Pro meets stringent Energy Star 5.0 requirements and achieves EPEAT Gold status. The Mac Pro enclosure is made of highly recyclable aluminum and the interior is designed to be more material-efficient. The Mac Pro uses PVC-free internal cables and components and contains no brominated flame retardants. The new Apple Battery Charger provides a convenient and environmentally friendly way to always have a fresh set of batteries for your Magic Trackpad, Magic Mouse and Wireless Keyboard. The Apple Battery Charger is available as an option for $29 and comes with six long shelf life rechargeable batteries.

Every Mac also comes with Mac OS® X Snow Leopard®, the world’s most advanced operating system, and iLife®, Apple’s innovative suite of applications for managing photos, making movies and creating and learning to play music. Snow Leopard builds on a decade of OS X innovation and success with hundreds of refinements, core technologies and out of the box support for Microsoft Exchange. iLife features iPhoto®, with breakthrough ways to organize and manage your photos by who appears in them and where they were taken; iMovie® with powerful easy-to-use features such as Precision Editor, video stabilization and advanced drag and drop; and GarageBand® which offers a whole new way to help you learn to play piano and guitar.

Optional Apple professional applications include Aperture, Final Cut Express, Final Cut Studio, Logic Express and Logic Studio®.

Pricing & Availability ýýýThe new Mac Pro will be available in August through the Apple Store® (www.apple.com), Apple’s retail stores and Apple Authorized Resellers.
The new quad-core Mac Pro, with a suggested retail price of $2,499 (US), includes:
•    one 2.8 GHz Quad-Core Intel Xeon W3530 processor with 8MB of fully-shared L3 cache;
•    3GB of 1066 MHz DDR3 ECC SDRAM memory, expandable up to 16GB;
•    ATI Radeon HD 5770 with 1GB of GDDR5 memory;
•    two Mini DisplayPorts and one DVI (dual-link) port (adapters sold separately);
•    1TB Serial ATA 3Gb/s hard drive running at 7200 rpm;
•    18x SuperDrive® with double-layer support (DVD±R DL/DVD±RW/CD-RW);
•    four PCI Express 2.0 slots;
•    five USB 2.0 ports and four FireWire® 800 ports;
•    AirPort Extreme® 802.11n;
•    Bluetooth 2.1+EDR; and
•    Apple Keyboard with numerical keypad and Magic Mouse.
The new 8-core Mac Pro, with a suggested retail price of $3,499 (US), includes:
•    two 2.4 GHz Quad-Core Intel Xeon E5620 processors with 12MB of fully-shared L3 cache per processor;
•    6GB of 1066 MHz DDR3 ECC SDRAM memory, expandable up to 32GB;
•    ATI Radeon HD 5770 with 1GB of GDDR5 memory;
•    two Mini DisplayPorts and one DVI (dual-link) port (adapters sold separately);
•    1TB Serial ATA 3Gb/s hard drive running at 7200 rpm;
•    18x SuperDrive with double-layer support (DVD±R DL/DVD±RW/CD-RW);
•    four PCI Express 2.0 slots;
•    five USB 2.0 ports and four FireWire 800 ports;
•    AirPort Extreme 802.11n;
•    Bluetooth 2.1+EDR; and
•    Apple Keyboard with numerical keypad and Magic Mouse.
Configure-to-order options include:
•    one 3.2 GHz Quad-Core Intel Xeon W3565 processor for the quad-core Mac Pro;
•    one 3.33 GHz 6-core Intel Xeon W3680 processor for the quad-core Mac Pro;
•    two 2.66 GHz 6-core Intel Xeon X5650 processors (12-cores) for the 8-core Mac Pro;
•    two 2.93 GHz 6-core Intel Xeon X5670 processors (12-cores) for the 8-core Mac Pro;
•    two ATI Radeon HD 5770 cards with 1GB of GDDR5 memory;
•    one ATI Radeon HD 5870 card with 1GB of GDDR5 memory;
•    up to 16GB of DDR3 ECC SDRAM memory for the quad-core Mac Pro;
•    up to 32GB of DDR3 ECC SDRAM memory for the 8-core Mac Pro;
•    up to four 512GB solid state drives (SSD); or
•    up to four 1TB or 2TB Serial ATA hard drives running at 7200 rpm;
•    Mac Pro RAID card;
•    dual-channel or quad-channel 4Gb Fibre Channel card; and
•    up to two 18x SuperDrives with double-layer support.

Accessories include: Magic Trackpad, Apple Battery Charger, wired Apple Mouse, wireless Apple Keyboard, Mini DisplayPort to DVI Adapter, Mini DisplayPort to Dual-Link DVI Adapter (for 30-inch DVI display), Mini DisplayPort to VGA Adapter, the AppleCare® Protection Plan; and pre-installed copies of Mac OS X Snow Leopard Server; iWork®, Logic Express 9, Final Cut Express 4 and Aperture 3. Complete options and accessories are available at www.apple.com/macpro.